FIAT/IFTA CONFERENCE AND GENERAL ASSEMBLY, PARIS
- SOME PERSONAL IMPRESSIONS AND OBSERVATIONS
The initial impression was the increase in the number of delegates
over past conferences and the interest in the work of the commissions. I hope
this indicates an increased perception of the value of television archives by
the organisations represented and the importance of professional issues within
the archives. The focus of the Award also increasingly enhances the reputation
and contribution archives make to programme output.
On a highly selective personal basis, the following issues seemed to me
significant for the future development and success of television archives
and the organisations they serve.
Policy and management
The ownership of the programme material, its preservation and exploitation
are the key to the longer term success of broadcasting organisations. The many
unresolved rights, technical and access issues ran through the whole programme
of the conference.
Business principles and heritage responsibilities - are they compatible?
The high costs of preservation, storage and documentation, together with the
capital investment necessary to reap the benefits of new technology, do not
sit easily with the drive to reduce production costs found in most television
organisations.
It is essential that archives operate in the most business like and cost
effective way possible. However, it is not in the best interest of either television
organisations or society in general that only the short term view should be
taken. Very recent history demonstrates the folly of wiping and junking programme
material that now would have both commercial and cultural value. In order to
expand the range and quality of retained material and control costs, national
and international collaboration is essential.
It is not helpful to organisationally group or directly compare archives
with resource departments such as post production or studios. The functions
and values are very different in nature and time-scale. A close relationship
with the programme origination process is essential to ensure that the archive
relates to the needs of that core part of the organisation and derives the
maximum benefit from it. Several sessions described the benefits of closer
collaboration between archives and production departments.
Many organisations have already grouped all their archive related activities
into one department or plan to do so. This should eventually produce greater
efficiencies and ensure that consistent standards and policies are developed.
The relationship between programme material and programme documents is particularly
important.
Technical and technology issues
Obsolescent formats, how to preserve, restore and transfer them remains unresolved
or incomplete in many organisations. The cost is rising, the equipment and
know-how is declining and the choice of the best options is by no means obvious.
The coverage of compression issues and the long term effects on the quality,
survival and accessibility of programme material in several sessions did not
appear to offer definitive solutions. This is an area where collaboration in
provision of facilities and expertise could offer the most effective solution.
Mass digital storage may well be the long term solution but in the meantime
the increasing array of tape formats need to be both protected and accessible.
The large collections of film in many of the longer established organisations
also require considerable maintenance and preparation before transfer can be
achieved.
Documentation and access
One of the main purposes of documentation is to permit access and retrieval
of the material. There is increasing demand for archives to provide direct
access for users to both information and the actual material. This highly desirable
objective is being pursued again very sensibly through collaborative projects,
some of which were presented in the sessions.
Protection of rights, browse or broadcast quality and compression are important
in this area. The long standing questions of how customers should be charged
for these services and the potentially conflicting demands of academic and
research users are highlighted by the improved technological possibilities.
The ever increasing speed and processing power of direct access systems are
not a substitute for professional documentation standards. The rapidly growing
size and complexity of the data increases their importance. However, these
systems must ensure that all relevant data is collected and analysed wherever
it is originated in the production cycle. The user friendly systems required
by direct access users ideally should conceal a controlled and structured information
system managed by the archive.
Training
As frequently, last but certainly not least. There is still much work to
be done on establishing standards and communicating them as widely as possible.
The technical expertise literally dying with experienced practitioners needs
to be collected, passed on and incorporated into training programmes. Countries
with shorter traditions and experience in television production and broadcasting
particularly require training material and facilities which the Training Commission
is developing.
Future of FIAT
The acceptance at the General Assembly of the proposed changes and future
plans was most encouraging. Increasing fragmentation and de-regulation within
the television industry places even greater emphasis on the role FIAT can play
in establishing and promoting standards for the preservation and exploitation
of programme material and in providing advice and services to both existing
and potential members.
Anne Hanford

The Conference visiting the BNF
EDITORS: Gösta Johansson, Stellan Norrlander (Sveriges Television, S-105 10 Stockholm, Sweden)
LAYOUT: Ragnar Lilliestierna(Stockholm, Sweden)
HTML LAYOUT: Karl Erik Andersen (National Library, Mo i Rana, Norway)
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