September 2000
Newsletter
|
|
|
|
How can Content and Asset Management systems solve the problematic issue
of providing clarity on rights and copyright clearance for television archives?
Contribution to a discussion at the Rights Workshop, FIAT/IFTA Vienna World
Conference
by Catherine Lacken,
SWR Stuttgart, ARD, Germany, August 2000
Content and Asset Management systems will be a feature of broadcast
archives in the future. If they are to live up to all the expectations placed
in them, one requirement they must fulfill is to unite descriptive information
on footage with the relevant information on rights or copyright.
Transparency regarding rights must be provided at the point where
potential users access the database; this is when the initial decision about
the suitability of footage is made.
Often in-house producers are motivated by the notion that re-use of
archive footage is a cheap way of filling air time. When the possibility of
rights and copyright clearance is raised, the producer often decides against
using the footage. This is especially true for news or current affairs where
the archive is contacted maybe only hours before going on air. Potentially
suitable footage is therefore rejected due to lack of clarity on rights. Experience
has shown that settling the rights issue after broadcast can be a very costly
option.
When restrictions
apply, it must be clear to what these refer: to the whole production, to certain
sections, shots or maybe just to one particular frame (e.g. photograph). The
type of restriction must also be indidated (use not permitted, permission must
be sought before use and thereafter use is free or subject to certain conditions;
use is permitted but costs money; if it costs money, some indication of how
much must be given because the producer needs to know whether these costs can
be covered by the production's budget; if copyright clearance is necessary,
it should be indicated whether this is a simple straightforward procedure or
if it is a complicated matter.
This transparancy on rights and costs will become more important when
it is commonplace for broadcasters to disseminate and market their assets via
the internet; this new group of potential customers interested will not tolerate
a situation where they have to wait days or weeks to find out if and under
what conditions they may have the footage they are seeking.
The task on hand
The problem in bringing all the relevant information together is that this
data is collected and managed by two different departments: the archives
and the legal department.
Archive databases include metadata such as title, date of transmission,
length, format, author etc. plus descriptive data on content (category, key
words, thematic information, image description etc.) that is generated during
cataloging. If information on the source of footage is available, the cataloger
links this information to the footage to which it applies. Sometimes the cataloger
will suspect that there may be rights on footage (historical b/w material is
an obvious example); and then draws attention to the fact that rights may have
to be cleared before re-use.
All data pertaining to contracts, copyright and royalties is collected
and managed by the legal department. Much of it is of a confidential nature,
which explains why legal departments are reluctant to allow access to their
systems. Up until now these were designed as rights management systems and
not to meet the requirements of asset management systems.
Normal procedure at the moment is that whenever footage is requested
by customers from outside the organisation, the query must be cleared by the
legal department. Only where the archive knows that there are restrictions
on use are in-house producers referred to it.
When on-line services are the gateway to acquiring material produced
by broadcasters, the situation concerning copyright stipulations and royalty
costs must be clear to the potential customer, as this influences the purchase
decision.
Designing asset management systems means investigating if interfaces
between legacy television archive databases and rights management systems are
the way forward or if a restructuring of existing operations or databases is
called for.
|
EDITORS: Agneta Forsström (Administrative Coodinator), Lasse Nilsson(Secretary General)
|
|